Blog

Guest writer Michael Morgan talks about those inescapable pressures and self-doubts we all face working in the animation industry, plus ways you can overcome these fears and be your best self.

Remote working is now a viable option for creative studios. In this blog, we discuss the ways in why creative studios are adapting to remote working and how tools like SyncSketch are helping them get started.

For our first webinar, we invited SyncSketch users to join us as we present upcoming features and developments that could help improve your review workflows and product experience.

Remote learning has come a very long way from being an experimental method for educating students. We spoke to Jahirul Amin of CAVE Academy on overcoming the distance in 'distance-learning'.

We spoke with Scott C. Smith, one of the Visual Effects Supervisors at Sunrise Productions, to find out how they've adapted to shifting the day-to-day production work to working remotely and the Jungle Beat movie.

Have you ever wondered what life is like as a VFX producer? What happens when a studio goes remote, and what might hit the VFX industry soon? We speak with ATK PLN Producer Justin Skerpan to dig into exactly that!

Remote working is now considered a viable alternative to traditional studio setups and in this blog we highlight how, with the right tools, remote working is here to stay.

Co-founder of SyncSketch, Bernhard Haux, recently joined Framestore London for an insightful webinar, presenting SyncSketch and how it helps facilitate collaboration for teams working with animation and CG.

In place of the normal SIGGRAPH exhibition, SIGGRAPH London, in partnership with SyncSketch, has launched a unique animation competition with big prizes up for grabs – including SyncSketch credit!

In this guest blog, Andrew Schlussel, Director of Talent Development at Framestore, discusses how to give and take constructive critique to facilitate great creative work.

Working from home isn’t a new concept, and there have been successful companies operating with a remote workforce for many years. One such company is VFX and animation house, Agora.Studio.

We spoke with industry-veteran Bill Haller, Animation Supervisor at Reel FX, about SCOOB!, remote working, and how SyncSketch has helped streamline the studio’s review process.

Companies set a high bar for animators and it seems to keep going up. This blog explores the artistic, technical, and life skills you’ll need to foster to be successful at becoming an animator.

We spoke with Rob Lodermeier, Animation Supervisor and Co-Director for Netflix production The Willoughbys, about the project and his experiences using SyncSketch.

NichtLustig ('NotFunny') has been appearing since 2000, but Joscha dived head-first into the world of animation only three years ago and used SyncSketch to help with team communication.

It's been fun watching SyncSketch grow into a full media collaboration tool for (online) schools, studios and creatives. This is a little story about how we started this whole journey.

A quick recap of CTNX 2017. We want to tank everyone for stopping by and taking a moment to check in with us! Let's be in touch to continue the conversation!

A quick recap of our time at CTNX 2016. A big thanks to all of you who took a moment to stop by - let's stay in touch: We look forward to working with you in the future!